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Sam & Band Nominated For Three 2017 IBMA Awards

The International Bluegrass Music Association (IBMA) has announced the nominations for its annual awards, and Sam and Band are honored to be included.

If joy were a person, he’d bring both peace and frenzy. He’d be full of music, light, and energy that soothes even as it stirs us up. Eyes closed, wire-rim glasses in place, mandolin pressed against his ribs, joy would be Sam Bush on a stage.

“I feel fortunate that when it’s time to play, no matter how I feel physically or mentally, once the downbeat starts, my mind goes to a place that’s all music,” says Bush. “The joy of the music comes to me and overtakes me sometimes––I just become part of the music.”

That rapt merging of life and art fills Bush’s new album Storyman, a freewheeling collection that gleefully picks and chooses from jazz, folk, blues, reggae, country swing, and bluegrass to create a jubilant noise only classifiable as the Sam Bush sound. Many of the songs are stories––several of them true––and the legendary mandolin player co-wrote every one of them with friends including Guy Clark, Emmylou Harris, Jon Randall Stewart, Jeff Black, and others.

“I’m hoping it just kind of flows for people and makes them go, ‘Hey! It’s a Sam record. It sounds like Sam and the band,’” Bush says. “But for the first time ever, I also find myself thinking, ‘I hope you enjoy the stories.’ It’s my singer-songwriter record.”

The Father of Newgrass and King of Telluride has long since established himself as roots royalty, revered for both his solo and sideman work, which includes time with Harris, Lyle Lovett, and Béla Fleck. But instead of kicking back and soaking up honors such as an Americana Music Association Lifetime Achievement Award and suite of Grammys and International Bluegrass Music Association trophies, Bush still strives relentlessly to create something new.

Raised on a farm just outside of Bowling Green, Kentucky, Bush grew up plowing tobacco fields in the Southern summer heat alongside his family. He started playing mandolin when he was 11 years old. “I believe growing up on a farm probably helped me channel my energy into learning music and being so interested in it,” Bush says. “Me and my sisters, we all loved it. I’ve often wondered if that’s because growing up on a farm, you couldn’t go ride your bike all over town and horse around like the other kids.”

For Bush, a lifetime of channeling his energy has led to stylistic innovations that have changed the course of bluegrass and roots music alike.

Bush took about four years to record the latest installment in that legacy. “It’s still important to me that all of the songs fit together on an album,” he says. “I’m well aware that people buy individual tracks digitally, and that’s good. But I still think of it as an album––a body of work. And I’m really satisfied with these songs. It’s taken a while, but I sure am happy with them.”

“I Just Wanna Feel Something”––also written with Jon Randall––explores the urge to chase love’s high before it’s too late. “Really, it’s about playing the groove and digging playing together,” Bush says. “If there is a love in it, it’s the love of playing music together.”

For Bush, that’s a love that will never die. “When we play live on stage, if people can feel the joy we’re feeling, then we have succeeded, that’s for sure,” Bush says. “That’s the goal to me of playing music: Did the audience feel something?”

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